My work explores the intersection of technology and creativity. Through my art, I aim to provoke thought and spark conversation about the role of technology in our lives, and to inspire others to use technology as a tool for self-expression and innovation. By merging the digital and physical realms, my work blurs the lines between the real and the virtual, inviting audiences to engage with my art in a dynamic and engaging way.
My process often involves the creation of custom software and electronics that interact with one another to generate dynamic and interactive installations. I am drawn to the fluidity and unpredictability of this medium, as it allows me to create works that are constantly evolving and responsive to the environment and audience.
Whether I am creating a digital installation or a physical object, my ultimate goal is to create art that is both thought-provoking and aesthetically pleasing, and that pushes the boundaries of what is possible with technology.
In 2018 Nathen was commissioned by the Brisbane Powerhouse to produce a permanent interactive lighting installation Space Pixels, and in 2016 by the Smithsonian Institution to develop Weather Machine a touring installation in the United States He has had residencies at Salamanca Arts (Hobart), State Library of Queensland, and his work has featured at Electrofringe Festival (Sydney), BARI and Restrung Festivals (Brisbane).
Nathen Street lives and works in Mianjin (Brisbane), Australia.